In the first Stanza, the writer’s nostalgic tone brings forth the significance her grandmother’s blanket had on her. Waning writes that she fell “in love with Mesa’s Indian blanket,” (1-2). With these lines, Wangle depicts how she discovered the significance a quilt could have on her life. “Now I have found a quilt” (13) Wangle writes in her second stanza. This line is necessary to create the present tense Waning needs in order to be optimistic about the future. In the third stanza, Waning is not only reminiscent but also wishful that her experience with her new quilt will shadow ere grandmother’s.
Symbolism is a major technique that the author uses to get the meaning of the quilt across to the reader. In every stanza, Waning likens the quilt to her family in order to describe how much the quilt reminded her of them. To her, her grandmother’s quilt reminded her of her childhood. She describes how she remembered “play[inning] in its folds and be chieftains and princesses” (11-12). She uses these lines to demonstrate how the quilt represented her youthful and energetic days with her sister.
In the second stanza she compares one of her new quilt’s squares to “the yellowing of mama’s cheeks” (17) to Illustrate how the quilt symbolizes the racial diversity of her family. In the third stanza Waning expects to have “good dreams for a hundred years under the quilt” (21-23) as her grandmother must have had under her quilt. This stanza again alludes back to her grandmother and the dreams she must have had under her quilt. Wangle considers the things she may dream of when she wrote “perhaps I’d meet my son or other child, as yet unconvinced” (42-43).
These lines are again alluding to her family specifically to her sons. Her quilt symbolizes every love one could have for a quilt. Waning uses vivid color imagery in her poem. In the first stanza Waning writes that she “fell asleep under army green” (2-3) a relatively dull color. Then her grandmother came to live with her and brought a lively and colorful quilt that Waning “planned to inherit” (9). In the second stanza Waning writes that in her new quilt “each square holds a sweet gum leaf whose fingers [she] imagined would caress [her] into silence” (18-20).
This paints a vivid image of her new quilt gently putting her asleep while also personifying the quilt. Waning writes of her father’s “burnt umber pride” (39) and her mother’s “ochre gentleness”. These lines paint a vivid picture of the loving qualities that her parents possess. Marilyn Nelson Waning is extremely symbolic when describing her quilt and comparing it to her family. Through vibrant imagery and a careful structure Waning is able to create a reminiscent yet hopeful tone which abetted the writer in creating the complex meaning that Waning attributes to “The Century Quilt”.
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minutes. This question counts as one-third
the total essay section score.)Read carefully the following poem
Marilyn Nelson Waniek. Then write an essay analyzing how Waniek employsliterary techniques to develop the complex meanings that the speaker attributes to The Century Quilt. You
wishto consider such elements
and tone.The Century Quilt
Sarah Mary Taylor, Quilter
My sister and
were in love
her yellow sisters,with Meema's Indian blanket. their grandfather's white familyWe fell asleep under army green nodding at them when they met.issued to Daddy
Supply.When their father came home from his storeWhen Meema came to live with us they cranked
the pianolashe brought her medicines, her cane,
the beautiful sisters
my sister's bed giggled and danced.the last time
visited her.She must have dreamed about Mama
remembered how 1'd planned to inheritwhen the dancing was over:that blanket, how we used to wrap ourselves
trailing after her fatherat play
through his Oklahoma field.and princesses.Perhaps under this quilt
found a quilt
dlike to die under;
my father's burnt umber
Van Dyke brown squares,
gentleness.two white ones, and one squareWithin the dream
d meet my sonEach square holds a sweet gum leaf
my other child, as yet unconceived.whose fingers I imagine
call it The Century Quilt,would caress me into the silence.
after its pattern
have good dreams
Louisiana Slale University Pressfrom
Marilyn Nelson Waniek.
for a hundred years under this quilt,
Marilyn Nelson Wanick.
Meema must have, under
blanket,dreamed she was a girl again in Kentucky
stitching together variedpieces
fabric.2 Burnt umber is a shade
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